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Yoon Lee
Digital artist and painter Yoon Lee creates work that is a metaphor for the exponential growth of technology and information. The scale of these works are often 8 feet tall and 12 feet long and seem...
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Interview with Jim Campbell
In a world consumed by technology, there is no doubt that countless artists have adopted many forms of new media into their work. In today’s art world, what is harder to find is an artist whose work...
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Build Your Own World: The 2010 01SJ Biennial
This weekend, the largest festival of art, technology and digital culture in the United States opens in San Jose, California. The 2010 01SJ Biennial, Build Your Own World, is a multi-disciplinary,...
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Pulling Data: Interview with David Bowen
David Bowen‘s solo exhibition, drift, recently opened at Redux Contemporary Art Center in Charleston, SC. Bowen investigates the intersection of mechanical and organic systems; his practice is driven...
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Fan Mail: W3FI
For this edition of Fan Mail, Denver based CO-LAB has been selected from a group of worthy submissions. If you would like to be considered, please submit to info@dailyserving.com a link to your website...
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HELP DESK: Majors and Media
Welcome to HELP DESK, where I answer your queries about making, exhibiting, finding, marketing, buying, selling — or any other activity related to — contemporary art. Together, we’ll sort through some...
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The Truth is Out There: Anoka Faruqee at Hosfelt Gallery
Anoka Faruqee‘s current show at Hosfelt Gallery, The Sum is Greater Than Its Parts, is the result of a year-long meditation on the kind of Moiré patterns – the patterns that result from placing one...
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#Hashtags: The Quantum Leap to Something New, Part II
In the face of economic fluctuations, not to mention the whirlwind of popular taste, how do galleries survive, adapt, evolve, and thrive? On September 15, 2008, contemporary artist Damien Hirst took an...
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Shih Chieh Huang at Yerba Buena Center for the Arts
The flickering, multicolored lights of Shih Chieh Huang’s installation Synthetic Seduction, now on view at the Yerba Buena Center for the Arts, reminds me of the cellular and molecular models found in...
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#Hashtags: Divide//Conquer: Artists Confront the Gentrification of Urban Space
#gentrification #displacement #race #class #technology #industry #neo-colonialism Any conversation among artists these days is bound to turn to the question of gentrification—the process of urban...
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#Hashtags: Culture, Class, and the New Economy
#access #technology #gentrification #class #labor #place The recent election of Mayor Bill de Blasio in New York was hailed by many as a sign that the trend of economic displacement in major American...
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Locating Technology: Participatory Economics
Today from our partners at Art Practical, we bring you the latest installment of Genevieve Quick‘s Locating Technology column, which explores “the evolution of technology and its effects on artists’...
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Ryan Trecartin at LACMA
Considered a prophet of the digital age, video artist Ryan Trecartin transforms contemporary culture’s addiction to the Internet and obsession with technological devices into a violently exuberant...
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Locating Technology: Against Recognition
From our partners at Art Practical, today we bring you an essay by Emily K. Holmes, who analyzes the work of artist Zach Blas: “Blas creates space for facial-recognition technology to be not only...
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AnnieLaurie Erickson: Data Shadows at Carroll Gallery
Photographer AnnieLaurie Erickson has spent a lot of time lately being watched by law enforcement. In her recent trip this year to Oklahoma, she stood on public property, taking photographs while...
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Stan VanDerBeek: Poemfield at the Box
From the malevolent mainframe of 2001’s “Hal” to the proliferation of remote-controlled, drone-delivered destruction, dystopian visions of technology exist in abundance. Even contemporary artists who...
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Anton Perich: Electric Paintings 1978-2014 at Postmasters Gallery
“No, Wade Guyton did not invent a new paintbrush; Anton Perich did in 1978, when Guyton was six.” Thus combatively begins the press release for Anton Perich: Electric Paintings 1978–2014 at Postmasters...
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Fan Mail: Laura Moore
From the height of a pedestrian bridge over a railroad track in Toronto, artist Laura Moore saw the remains of a computer monitor gazing screen- or face-up at her from the tracks. The happenstance...
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Interview with Anthony Huberman
Anthony Huberman was appointed the director of the CCA Wattis Institute in August of 2013, but only really started reshaping the institution this fall with an intriguing—and fairly democratic—strategy...
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Molly Dilworth: 2421 Miles at ALL RISE
“When I worked for the Seattle Times fifteen years ago, our building overlooked this lot,” remarked Molly Dilworth during a recent artist talk. Her project, 2421 Miles, is a 52,000-square-foot...
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